The KMS 104 microphones have been developed to optimally transmit the human voice with respect to the demanding conditions present on the live stage.
The KMS series has become the internationally acknowledged standard for first-class stage microphones.
The high acoustic resolution and smooth frequency response of the microphones ensure that the musician has optimal control of the stage performance at all times.
Especially due to their low self-noise and crosstalk behavior which is free of coloration, the KMS microphones are ideal for use with in-ear monitoring systems.
The KMS 104 has a condenser microphone capsule with a cardioid directional characteristic which provides the best possible suppression of sounds originating from behind the microphone.
- Neumann sound on stage
- Excellent transparency for vocals/speech
- Cardioid/Supercardioid polar pattern with excellent feedback rejection
- Without off-axis coloration
- Transformerless output
- Effective pop shielding without any side effects
- KMS 104 Microphone
- SG 105 Stand clamp
- Padded nylon bag
good Review by piyush
Price Convenience (To use) Comfort (Wearing) Quality (Audio) Compatibility
ok (Posted on 7/25/13)
|Acoustical operating principle||Pressure gradient transducer|
|Frequency range||20 Hz ... 20 kHz|
|Sensitivity at 1 kHz into 1 kohm||4.5 mV/Pa|
|Rated impedance||50 ohms|
|Rated load impedance||1 kohms|
|Equivalent noise level, CCIR1)||28 dB|
|Equivalent noise level, A-weighted1)||18 dB-A|
|Signal-to-noise ratio, CCIR1) (rel. 94 dB SPL)||66 dB|
|Signal-to-noise ratio, A-weighted1) (rel. 94 dB SPL)||76 dB|
|Maximum SPL for THD 0.5%2)||150 dB|
|Maximum output voltage||12 dBu|
|Dyn. range of the mic. amplifier (A-weighted)||132 dB|
|Supply voltage (P48, IEC 1938)||48 V ± 4 V|
|Current consumption (P48, IEC 1938)||3.5 mA|
|Weight||approx. 300 g|